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Laura Dern recognizes that there can be a major generational gap between mothers and their daughters that becomes especially apparent when it comes to making their voices heard and giving back.

There’s a scene in HBO’s “Big Little Lies,” which Dern says is one of the most interesting of the series, that demonstrates this tension perfectly: Dern’s character Renata Klein ferociously confronts her daughter, Amabella, about who’s been physically bullying her at school and urges her to speak up for herself. Amabella, who’s in first grade, expresses fear over using her voice to reveal the truth and doesn’t think that it will truly be heard.

It’s this fear of being silenced, ignored or not being able to make a difference that Dern sees as a major hurdle in getting the new generation of children to also give back. Recognizing this, the 50-year-old actress has partnered with Johnson & Johnson and the United Nations Foundation for the Global Moms Relay, which will see J&J donating $1 for every photo shared on social media to one of five nonprofit partners dedicated to health and wellbeing.

The accessibility of the campaign is what attracted Dern to accepting an invitation to take part. I recently caught up with her at the Moms + SocialGood launch event in New York City to talk about the causes she most fiercely advocates for, what Sting and Trudie taught her about encouraging children to give back and the “delicious fun” she had playing Renata Klein on “Big Little Lies.”

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Between traveling to space in Star Wars: The Last Jedi, intentionally mispronouncing Reese Witherspoon’s character’s name in Big Little Lies, and an upcoming guest spot in Unbreakable Kimmy Schmidt, Laura Dern is having a 2017 for the ages. But her most mysterious — and possibly splashiest — role will come in Showtime’s rapidly approaching Twin Peaks revival. Of course, given the level of secrecy around David Lynch and Mark Frost’s return to the classic TV series, we have no idea who Dern will play when she joins the cast, but Variety’s cover story on the revival heavily features Dern. It also includes a few stunning photos of her hanging out with Lynch and her Blue Velvet co-star Kyle MacLachlan, who plays Twin Peaks’ agent Dale Cooper, in a car. We can only hope that we’re in for a whole lot of Dern.

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Laura Dern and producing partner Jayme Lemons have launched a new company, Jaywalker Pictures. The two hang out their shingle with a robust television and feature-film slate in the works, including multiple projects at HBO.

Among the TV projects Dern and Lemons have in development are an untitled half-hour drama at HBO about a death-row psychiatrist, with Dern set to star; a drama, also for HBO, from writer Annie Mumolo about the development of the home-party marketing system of products, such as Tupperware; and a half-hour comedy for HBO from writers Arabella Anderson and Wendy West, based on Anderson’s life growing up homeless.

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Yesterday Laura participated to both SiriusXM and 5th Annual Moms +SocialGood Event. Photos have been added to the gallery. Take a look!

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The gallery has been updated with HQ photos of Laura at the Rei Kawakubo/Commes Des Garcons: Art of the In-Between’, the 2017 Costume Institute Benefit. Take a look at them. She looked so stunning!
Much thanks to Neide for donating some!

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HBO’s Big Little Lies ended Sunday with an idyllic scene: the show’s gorgeous stars Reese Witherspoon, Laura Dern, Nicole Kidman, Shailene Woodley, and Zoë Kravitz relaxing on a beach, recently fused in sisterhood—surrounded by sun, cavorting children, and lapping waves. And last Friday afternoon—months after filming that picturesque scene—stars Laura Dern and Reese Witherspoon realized they had subconsciously recreated that striking visual.

“Reese and I actually are on vacation together right now with our children, and it’s amazing,” Dern told Vanity Fair by phone, hours after the actresses posted photos of themselves on a beach at sunset—matching white wine bottles in hand—on social media. Unlike Witherspoon and Dern’s formerly warring Big Little Lies characters Renata and Madeline, though, Dern and Witherspoon have considered each other family since enacting the powerful mother-daughter love story of 2014’s Wild—so much so that the New York Times recently published a piece about their close bond. And though Dern and Witherspoon meant for this trip to be a peaceful retreat from the press responsibilities of Big Little Lies, both actresses found themselves so moved by the outpouring of support for the series that they ended up doing an impromptu Instagram live about the series Friday. Later that afternoon, Dern kindly obliged V.F.’s request for an interview, phoning us from a golf cart—where she was sitting next to Witherspoon, being shuttled from some exotic point A to point B.

“We just did a little Instagram live thing because so many people have written in wanting to process the last episode and talk about the show,” Dern explained. “It’s so generous and sweet, and everybody is like, ‘No, it can’t end!’ We just get slightly quiet when people ask about the last episode, because we’re terrified of giving anything away.’” Ahead, our conversation with Dern—complete with a cameo by Witherspoon—about the show’s shock ending, its powerful implication about female friendships, and the potential for a sequel.

Vanity Fair: I saw that Instagram of you two together on the beach with your white wine, and I thought that photo is so perfect and poignant, considering the final scene in Big Little Lies.
Laura Dern: I know! You’re the first person I’ve gotten to talk to about the last episode. I find it really poignant, and I think it will be quite shocking ultimately for people in terms of the who-did-it aspect, and the idea of these women banding together.

I want to back up and talk about this incredibly lavish P.T.A. party in the finale. Can you talk a little about that amazing fairytale-in-the-forest atmosphere?
That was incredible, just in terms of finding the location, making it work, and [director Jean-Marc Vallée’s] incredible patience and diligence in honoring every single character in this thoughtful, complicated wrap-up that addressed all the different dynamics and relationships. And to do that with just one camera—which is all that he uses—requires an unbelievable amount of patience and time, especially considering the hundreds of extras, music, costumes, and the enormous amount of land he had to cover.
I think the complicated beauty of each of these women is that just when you thought you had them pegged, you realize that they are all relatable. Sometimes, as we were filming, I would think that in some way all of the ladies actually made up one woman—filled with complicated-ness and control, openness, sexuality, and fear. I feel like we have all of those aspects, so I like how they all sort of come together as one in this rather moving way.

What was it like to film the scene at the top of the steps, where all of the characters come together in this beautiful, tragic way and confront Alexander Skarsgård’s character? I read the book and wasn’t sure how Jean-Marc would frame the scene, but it works so well.
Most of the show was like a traditional movie in that each scene was focused on one person’s experience. I think what became so intimate about that moment is that everyone together had a common experience, even though all the characters handled it differently. So it was very unifying and intimate for us because we were in it together, the characters and the actresses supporting each other.
By the way, I’m pausing so much because I’m afraid I’m giving something away. . .but now we have a problem. We have a severe issue, which is that I’m in a golf cart with Reese and our friend Chad, who hasn’t seen the last episode. So if I have to say something that gives away the ending, I’ll stop the cart and get out.

Oh, I’m sorry!
No, no. I just want everyone to experience the episode without spoilers. [Laughs]. Another thing that amazes me is how many different kinds of people seem to be watching the show and are so excited about it. It reminds me of when Twin Peaks first came on and people would have gatherings around the episode.

What are you and Reese going to do Sunday for the episode?
I wish everybody was together. Yesterday, we were texting with the other girls. We FaceTimed with Shailene yesterday. We all remain close, and I can’t believe our very good fortune in finding each other and forming this friendship. Between filming and all of the press afterward, it feels like these actresses and I have spent two and a half years together. And we’re now getting to be together with our families, our children, on holiday while we happen to be watching the finale.

Speaking of family: I found it so funny when you told the New York Times that your mom, the actress Diane Ladd, is so friendly with Reese that she was mad your character was so mean to hers. Has your mom come around to Renata with these last few episodes?
I just have to say I’ve played some complicated people—and this speaks to my mom’s obsession with Reese as her other daughter. My mom has never been mad at me for doing anything as a character, but being bitchy to Reese seems to be the worst thing I’ve ever done in a movie, which is amazing to me. My mother has been ruthless in movies! So it’s like, “Girl, what are you doing judging me?”

Let’s take a moment to discuss Renata’s My Fair Lady costume.
Oh my god, you are the first person I’ve gotten to talk to about this too. . . was that not the most brilliant costume ever? Our costume designer Alix Friedberg—who I also worked with on the second season of Enlightened— is amazing. She was always so inventive and funny and brave, but that was costume was show-stopping. That was a show-stopping experience.

Did you know from the start that Renata would be wearing that?
No, she had all these ideas. I also love Reese’s costume—that Breakfast at Tiffany’s look, with the sleep mask and the shirt, so brilliant.

I want to ask you about the murder. Is Chad right there? I don’t want to spoil anything.
[Speaking to whoever is driving] Oh, you know what? Pause for one moment. . .I have to answer something you can’t hear. [Back to us] Okay I’m walking away now. Let’s talk.

The murder is done so well. I’m curious what it was like filming. It was so strangely cathartic to watch as an audience member, because we get so protective of Nicole’s character.
That’s what I loved—the experience of rallying around one woman to protect her, and what a moment of assault it is. It was an incredible thing, and it took us a number of nights to film, actually. [My character Renata] was in his face because of what she had witnessed coming into the party—seeing Celeste and Perry fighting in the car—and he knew I was the first chain of protector command and setting a boundary. Obviously he is a man, and to treat any woman like that is unacceptable. It was this amazing catharsis—especially right now in our culture, to see women standing together and refusing to accept bullies, let alone anyone who would attack, sexually assault, verbally assault another woman. It was an extraordinary experience emotionally. Seeing his violence towards me, and Nicole, and Reese—and then to witness his character’s realization, and all of our characters’ realization [that it was Perry who raped Jane], and all of us sort of getting it within that moment. . .

People assume there will be this cold-blooded murder, certainly not these women band[ing] together in a moment of self-defense. Alexander [Skarsgård]’s job was to go for it, and he was incredible—he’s lovely, generous, and protective as a person. But what he had to do was violent, and all of us as women have a friend, or a relative, or have gone through [some kind of abuse] ourselves. There are all of these playful sort of comments on Big Little Lies about women’s manipulation or women’s dirty secrets, but in fact the biggest little lie is how we carry shame about what men have done. We have to learn to use our voice to protect ourself and each other, because there is no shame in what another person has done to us, and it’s time to defend ourselves and demand to be treated with respect. That’s such a profound thought—I just felt privileged to be a part of that story.

Was the scene carefully choreographed?
Well, there was prep for Jean-Marc and the camera, but he really likes things being raw and he wanted us to experience things as we were shooting. O.K., I’m back on the cart, so I can’t say anything [spoiler-y] in front of Chad. We didn’t have much prep ourselves for the final moment, did we, Reese?

Reese Witherspoon: We didn’t have much prep. I think what Jean-Marc does really well is trust his actors and believe that people should get together, have wine, and do your lines, so that way we became sort of bonded.
Dern: That was Reese.

How did you guys decompress after that shoot—after summoning all of that emotion for such a dramatic scene?
Those were all night shoots, so I think we just tried to recover for a few hours to go back in the next day. I think the most amazing thing about going through that together was the bonding, the sharing, just the whole experience, for Reese and I particularly. I think this [vacation] is our first actual wind-down in a while. I was like, “Oh! We actually get to be with our kids and breathe for a minute.” We’ve had a whirlwind couple of years of having these amazing projects and emotional experiences. They have, I think, driven both of us not only toward our longing for connection as women, but also inspired us to step forward and create art and content for women. Reese has been such a champion in that way and continues to inspire me, and I think we care deeply about how we can inspire other women to support each other and create art for fellow women.
I think that was the takeaway from all of this. These are pretty incredible, artistically brilliant, fierce women. I’ve been thinking about each of them. Nicole, Shailene, Zoë—they are all so different but brilliant in remarkable ways. It was quite an amazing group to get to be in the company of. There was definitely chocolate and a few other things in the middle of the night on that last night that helped get us through as well. [Laughs]

So you and Reese have played mother and daughter in Wild, now bitchy frenemies in Big Little Lies. What are you going to play opposite each other next?
I don’t know. We told the New York Times how our mothers got so mad because we had fallen so in love and had such a beautiful experience making Wild, and when they saw Big Little Lies, they were so mad at us at first for being so rude to each other. But we had the time of our lives making this. People are asking us a lot if there is room for a Season 2 of this, and I know there is a lot of discussion, so. . . whatever it is, we will come up with something really fun for sure.

Thanks so much for taking time on your vacation to talk. I really appreciate it.
Thank you for bearing with us. We got delayed by an hour and you were very patient, and then we had a little thing of getting the kids off our boat. It’s been a little bit crazy, but I loved talking to you. Thank you for helping me so that Chad did not hear the ending.


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When people ask for advice, do they really want to hear what you have to say? Sometimes it’s hardest to find a friend who can give just a simple, sympathetic ear.
This week, actor Laura Dern takes us deep into a friendship that experienced a unique evolution. Rhonda Mawhood Lee essay is the author of “I Will Be Your Mother Figure.”

Voices In This Episode

Two-time Academy Award nominee Laura Dern has touched many audiences and critics alike with her moving and heartfelt performances. For her Oscar nominated performance in “Rambling Rose,” Critic Peter Travers explained that Dern “ranks among the best actresses of her generation.” In 2010, in celebration of their family legacy in film and television, Dern, her mother Diane Ladd and father Bruce Dern were awarded with the first ever “Family Star Ceremony” on the Hollywood Walk of Fame. In addition to her two Oscar nominations, Dern has received 4 Golden Globe Awards and has been nominated for 5 Primetime Emmy Awards.

In addition to her extensive film and television credits, Dern has been prolific in her producing career with three upcoming projects for HBO including “Tiny Beautiful Things,” “Untitled Alex Gibney Project” and “Untitled Brownie Wise Project.” In 2016, she was also selected to serve on The Academy of Motion Pictures Arts and Sciences’ Board of Governors.

Dern can be seen staring in a series of highly anticipated projects. Reuniting with director Jean-Marc Vallee (“Wild”), Dern is currently starring in HBO’s upcoming series “Big Little Lies” based on the book of the same name by Liane Moriarty. The series, which follows three mothers whose apparently perfect lives unravel to the point of murder, also stars Alexander Skarsgard, Reese Witherspoon, Shailene Woodley, Nicole Kidman and Zoe Kravitz. The series premiered on February 19th.
Starring opposite Woody Harrelson, Laura will also be seen in Fox Searchlight Pictures’ “Wilson” directed by Craig Johnson. This hilarious comedy tells the story of a middle-aged, divorced Wilson (Harrelson), who lives in Oakland, California and finds himself lonely, smug and obsessed with his past including a tumultuous relationship with his ex-wife Pipi played by Dern. The film premiered at the 2017 Sundance Film Festival, and was released on March 24th, 2017.

Additionally, Dern will be seen starring in Showtime’s revival of the cult hit crime, mystery series “Twin Peaks.” Reuniting with director David Lynch, Dern will star alongside Kyle MacLachlan and Amanda Seyfried. The series will premiere on May 27th, 2017.

Dern will also be seen in the highly-anticipated “Star Wars: Episode VIII” alongside Daisy Ridley, Lupita Nyong’o and Benicio Del Toro. The film will release in December 2017. Additionally in 2017, Dern was seen in The Weinstein Company’s biographical drama “The Founder,” which recounts the story of McDonald’s founder Ray Kroc played by Michael Keaton. Dern plays Keaton’s wife Ethel Kroc. The film was released on January 20th, 2017.

Also, Dern was seen starring alongside Michelle Williams and Kirsten Stewart in Kelly Reichardt’s drama “Certain Woman,” which premiered this year at Sundance to rave reviews and was released by IFC on October 14th, 2016. The film walks through the lives of three women who intersect in small-town America, where each is imperfectly blazing a trail. In 2015, Dern co-starred in Fox Searchlight’s “Wild” for which she earned her second Academy Award nomination for. The film, directed by Jean-Marc Vallée, is Nick Hornby’s-scripted adaptation of Cheryl Strayed’s best-selling 2012 memoir and tells the inspiring story of Cheryl Strayed (Reese Witherspoon) who makes the impulsive decision to try to walk the 1000-mile Pacific Crest Trail alone in a search for meaning in her life after being traumatized and shattered by the death of her mother (Dern).

Also in 2015, Dern was seen in Ramin Bahrani‘s “99 Homes,” a performance that Peter Travers of Rolling Stone described as “Superb.” Dern starred opposite Andrew Garfield and Michael Shannon. The film follows Dennis Nash (Garfield), an unemployed contractor whose family is evicted during the economic crisis. In order to get his home back he goes to work for the realtor who evicted him (Shannon) who teaches Dennis the legal and illegal ins and outs of the foreclosure game. Dern plays Lynn Nash, Dennis’s widowed mother who raised him and his nine-year-old son Connor. The film released on Friday, September 25th.

In 2014, Dern was seen in Fox 2000’s film adaptation of John Green’s best-selling novel “The Fault in our Stars.” Starring alongside Shailene Woodley, Ansel Elgort and Nat Wolff, Dern plays the mother of Hazel Grace (Woodley) who falls in love with Augusts Water (Elgort) during a very difficult time in both of their lives as they battle cancer.

Dern recently received a 2013 Primetime Emmy Award nomination in the category of “Outstanding Lead Actress in a Comedy Series” on behalf of her performance in Season 2 of HBO’s critically acclaimed original series “Enlightened.” Dern earned the 2012 Golden Globe Award in the “Best Actress in a Television Series, Comedy” category on behalf of her performance in Season 1, and the series also garnered a 2012 Golden Globe nomination for “Best Television Comedy.” In addition to starring in the series, Dern also served as the Executive Producer and Co-Creator alongside prolific writer and director Mike White. In this 30-minute, dark comedy Dern played ‘Amy Jellicoe,’ who was introduced to viewers while she was in the midst of experiencing an emotional breakdown at work, which forced her to seek treatment. She came out of treatment “enlightened” and ready to make peace with her mother, ex-husband and former employees and confront her ‘demons’ with a newfound perspective. The show reunited her with HBO, where she starred in the 2008 Emmy award-winning ensemble film “Recount.” Season 1 of “Enlightened” premiered on October 10, 2011. The series recently concluded its second and final season on Sunday, March 3, 2013.